Againts Font
OTF + TTF | 1 Font | JPEG Preview | 5.3 Mb RAR
Againts Typeface was inspired from ink & tints manual handdrawn brush to make a natural messy, with alternate glyphs in some character of type could you make a stylish design, and extra Ligature could help to good display, uses for labeling, clothing, movie sceen, film title, gigs, or cover album.
FF Mark Font Family
OTF | 20 Fonts | JPG Preview | 4.9 Mb RAR
German type designers Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department created this sans FontFont in 2013. The family contains 10 weights from Hairline to Black and is ideally suited for film and TV, advertising and packaging, editorial and publishing, logo, branding, music and nightlife, software and gaming, sports as well as web and screen design. FF Mark provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.
Anselm Sans Font Family
OTF | 10 Fonts | JPG Preview | 5 Mb RAR
One of the good practices of today’s type foundries is that they release their type families as systems including both serif and sans serif type. Usually, the sources of inspiration need to be well tried with time and practice, since production of a type family is such a laborious and complex process. From the beginning, it needs to be clear that the result will be suited for universal use. Such systems, complete with the broad, multi-lingual variations permitted by the OpenType format, have become the elementary, default instrument of visual communication. Non-Latin scripts are useful for a wide scope of academic publications, for packaging and corporate systems alike. And what about outdoor advertisement designated for markets in developing countries? Cyrillics and Greek have become an integral part of our OpenType font systems. Maybe you noticed that the sans serif cuts have richer variety of the light – black scale. This is due to the fact that sans serif families tend to be less susceptible to deformities in form, and thus they are able to retain their original character throughout the full range of weights. On the other hand, the nature of serifed, contrasted cuts does not permit such extremes without sacrificing their characteristic features. Both weights were drawn by hand, only the Medium cut has been interpolated. Anselm Ten is a unique family of four cuts, slightly strengthened and adjusted for the setting in sizes around 10 pt and smaller, as its name indicates. Our goal was to create an all-round type family, equally suitable for poetry, magazines, books, posters, and information systems.
2 TTF 2 OTF WOFF EOT | 362 KB RAR
Freestyle is a font that made the hand by having the character up and down like a dancer. Freestyle has a very unique style of calligraphy, it is very suitable for use in the work of modern design.
TTF OTF | 439 KB RAR
Sandhya Script - a new fresh & modern script with a modern calligraphy-style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!
Black Friday Font Bundle
OTF | TTF
Naonweh Typeface
OTF | TTF
introducing NAONWEH TYPEFACE with NAONWEH ROUGH this font basicly improve a vintage style include ORNAMENT on vector and eps (illustration 10 and eps 10) so if you want to mix and match this ornament very easy. on this font include alternate character so if you want to modify this font you only block 1 word or more and replace to alternate character on glyph tools.
this font good for : greetingcard, vintage theme, movie title, cafe, t-shirt, logo, labels, posters and etc
10 fonts = 10 bucks
OTF
Ice Cartoon Font
OTF | AI
Como Font Family
8 x TTF and OTF
Como is a modern rounded sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 8 weights from ExtraLight to Heavy.
The basic skeleton of their letterform was designed geometrically and their ends were rounded out. The sophisticated geometric design gives them universality, neutrality and sense of unity for the
use in all media, all purposes. And their large x-heights makes this family legible and readable. While at the same time, the rounded ends characterizes this family and it makes them very friendly and
natural. This rounded feature will also accentuate your design work moderately.
Realist Font Family
16 x TTF and OTF
Realist is a straightforward typeface that speaks in a clear voice without appearing stern. It has so far been used for demanding editorial and corporate design, as well as product design and a film poster. It works for all expressions where the message plays the leading role.
Realist is flexible in weight and style (16 fonts), and next to the standard typographic forms Realist comes with alternates, various figure sets, sets of arrows, and ornaments.
Kammerlander Font Family
2 x TTF and OTF
Kammerlander is a sans typeface with a distinctively strong thick/thin contrast. It’s based on Messner- a hairline font with a constant stroke weight, so their combination looks very natural. They look great in fashion magazines, in the expensive world of beauty and glory.
Kammerlander is an all caps face, especially suitable for larger sizes.
Voltage Font Family
OTF | 3 Fonts | JPEG Preview | 19.8 Mb RAR
Voltage, created by award-winning typeface and lettering designer Laura Worthington, is an unexpected and energetic standout in the world of script fonts, breaking free from formal classifications while retaining the degree of personality we treasure in hand lettering. Her primary goal was unique: readability with personality. Gone are the large loops, the frilliness, and the choice of beauty and elegance over utility. Voltage takes the script font in a different direction, with an emphasis on practicality and uniformity, and with the reader’s needs at the forefront—this is a straightforward, muscular lettering font, assertive, yet down-to-earth. The beauty is found in its elegantly-wrought construction, its versatility, its references to a different era, and in the galvanizing swashes and alternates available not only in a professional designer’s software, but to everyone with a computer.
Kazimir Font Family
OTF, WOFF | 10 Fonts | JPG Preview | 3.6 Mb RAR
The Kazimir typeface was created by Yury Ostromentsky & Ilya Ruderman in 2015. This static contrast serif typeface has five styles in five weights: from Light to Black. Kazimir typeface is the new way to show Russian book & magazine typography from late XIX to early XX century, especially the typeface of “The History of Russian Philology” of P. N. Polevoy, published by A. F. Marx Publishing House in 1900. For a modern viewer the typography of those years seems unusual and kind of naive. When we take a book or a magazine from that time it invokes a “They don’t do that anymore” feeling. Kazimir combines the typographic features of that period with contemporary aesthetics. Kazimir has two stylistic sets — Regular & Irregular in both Roman & Italic styles. The Regular set (the default one) is a more modern character set, and the Irregular one has more display characters. In Adobe programs you can choose the set in the OpenType menu: “Stylistic set / Set 1”. You may use Regular & Irregular characters separately or combine them in any way you want. Kazimir is good for both short texts and headlines. It contains ligatures, case sensitive forms and extra pre-revolutionary symbols.